May 1, 2012 - New Lens Profile Support in Camera Raw 6.7. I updated my CS5 Camera Raw to 6.7 (from 6.4.1) and still don't see a difference in the lens. Apr 26, 2012 Re: Camera Raw 7 and CS5.5 works for me?? In reply to santamonica812 • Apr 26, 2012 You cannot copy ACR 7 from Lightroom to Photoshop because Lightroom does not use ACR.
Adobe has released Camera Raw 6.7 and DNG Converter 6.7. This release is important for Photoshop CS5 users who use Lightroom 4. What’s notable in this release:
- You can preserve edits made using Process Version 2012 in Lightroom 4 in a raw file you’ve imported into Photoshop CS5 as a Smart Object. However, you won’t be able to change Basic panel develop settings unless you switch back to Process Version 2010, as shown in the figure below. If you want to import Lightroom 4 raw files as Smart Objects into Photoshop and then edit them using Process Version 2012, you’ll need Adobe Camera Raw 7, which is available only with Photoshop CS6.
- You can import raw formats from new cameras such as the Canon EOS 1D X, Canon EOS 5D Mk III, Nikon D4, Nikon D800, Nikon D800E
- More lenses have been added to the list of lens correction profiles.
For more information about new features and bug fixes, read the blog post by Lightroom product manager Tom Hogarty:
As usual, you can read the release notes and download the installers from
or:
To update Photoshop and Camera Raw directly, start Photoshop and choose Help > Updates.
Also as usual, DNG Converter is useful for bringing the latest camera raw support to versions of Photoshop before Photoshop CS5.
Camera Raw 6.7 [Win|Mac] and DNG Convertor 6.7 [Win|Mac] are now available as a final releases on Adobe.com and through the update mechanisms available in Photoshop CS5. This release includes bug fixes, new camera support, and new lens profiles.
Please note that this will be the last update of Camera Raw for Photoshop CS5.
New Camera Support in Camera Raw 6.7
- Canon EOS 1D X
- Canon EOS 5D Mk III
- Canon PowerShot G1 X
- Canon PowerShot S100V
- Fuji FinePix F505EXR
- Fuji FinePix F605EXR
- Fuji FinePix F770EXR
- Fuji FinePix F775EXR
- Fuji FinePix HS30EXR
- Fuji FinePix HS33EXR
- Fuji FinePix X-S1
- Nikon D4
- Nikon D800
- Nikon D800E
- Olympus OM-D E-M5
- Pentax K-01
- Samsung NX20
- Samsung NX210
- Samsung NX1000
- Sony Alpha NEX-VG20
- Sony SLT-A57
New Lens Profile Support in Camera Raw 6.7
Lens Mount | Lens Name |
Canon | Tokina AT-X 124 AF PRO DX 12-24mm f/4 (IF) |
Canon | Tokina AT-X 124 AF PRO DX II 12-24mm f/4 (IF) |
Canon | Tokina AT-X 165 PRO DX 16-50mm f/2.8 (IF) ASPHERICAL |
Canon | Tokina AT-X 535 PRO DX 50-135mm f/2.8 (IF) |
Canon | Tokina AT-X M35 PRO DX 35mm f/2.8 Macro |
Canon | Tokina AT-X M100 AF PRO D 100mm f/2.8 Macro |
Canon | Tokina AT-X 116 PRO DX 11-16mm f/2.8 |
Canon | Zeiss Distagon T* 2,8/15mm ZE |
Nikon | Tokina AT-X 124 AF PRO DX 12-24mm f/4 (IF) |
Nikon | Tokina AT-X 124 AF PRO DX II 12-24mm f/4 (IF) |
Nikon | Tokina AT-X 165 PRO DX 16-50mm f/2.8 (IF) ASPHERICAL |
Nikon | Tokina AT-X 535 PRO DX 50-135mm f/2.8 (IF) |
Nikon | Tokina AT-X M35 PRO DX 35mm f/2.8 Macro |
Nikon | Tokina AT-X M100 AF PRO D 100mm f/2.8 Macro |
Nikon | Tokina AT-X 116 PRO DX 11-16mm f/2.8 |
Nikon | Nikon AF-S NIKKOR 85mm f/1.8G |
Nikon | Nikon Micro-Nikkor 60mm f/2.8D |
Nikon | Nikon 1 Nikkor VR 30-110mm f/3.8-5.6 |
Nikon | Sigma 18-200mm F3.5-6.3 II DC OS HSM |
Nikon | Zeiss Distagon T* 2,8/15mm ZF.2 |
Leica | LEICA APO-SUMMICRON-M 75 mm f/2 ASPH. |
Leica | LEICA APO-SUMMICRON-M 90 mm f/2 ASPH. |
Leica | LEICA APO-TELYT-M 135 mm f/3.4 ASPH. |
Leica | LEICA ELMAR-M 24 mm f/3.8 ASPH. |
Leica | LEICA ELMARIT-M 28 mm f/2.8 ASPH. |
Leica | LEICA ELMARIT-M 90 mm f/2.8 |
Leica | LEICA MACRO-ELMAR-M 90 mm f/4 |
Leica | LEICA NOCTILUX-M 50 mm f/0.95 ASPH. |
Leica | LEICA SUMMARIT-M 35 mm f/2.5 |
Leica | LEICA SUMMARIT-M 50 mm f/2.5 |
Leica | LEICA SUMMARIT-M 75 mm f/2.5 |
Leica | LEICA SUMMARIT-M 90 mm f/2.5 |
Leica | LEICA SUMMICRON-M 28 mm f/2 ASPH. |
Leica | LEICA SUMMICRON-M 35 mm f/2 ASPH. |
Leica | LEICA SUMMICRON-M 50 mm f/2 |
Leica | LEICA SUMMILUX-M 21 mm f/1.4 ASPH. |
Leica | LEICA SUMMILUX-M 24 mm f/1.4 ASPH. |
Leica | LEICA SUMMILUX-M 35 mm f/1.4 ASPH. |
Leica | LEICA SUMMILUX-M 50 mm f/1.4 ASPH. |
Leica | LEICA SUPER-ELMAR-M 18 mm f/3.8 ASPH. |
Leica | LEICA SUPER-ELMAR-M 21 mm f/3.4 ASPH. |
Pentax | Sigma 17-50mm F2.8 EX DC HSM |
Pentax | Sigma 50-200mm F4-5.6 DC HSM |
Sony | Tokina AT-X 116 PRO DX 11-16mm f/2.8 |
Sony | Tamron 18-200mm F/3.5-6.3 Di III VC B011 |
Sony | Sigma 17-50mm F2.8 EX DC HSM |
Sony | Sigma 50-200mm F4-5.6 DC HSM |
Sigma | Sigma 18-200mm F3.5-6.3 II DC OS HSM |
Camera Raw 6.7 Release Notes
These items have been FIXED in Camera Raw 6.7:
- Black halo/speckle artifacts could appear when performing an image warp. Examples of warps include lens profile adjustments and rotating the image.
- Files rendered in Lightroom 4.0 appeared differently in ACR 6.7.
- Using the clarity adjustment adds tone to 100% white tones
- Raw files from Olympus E-P1 are not cropped according to the aspect ratio set on the camera
- Nikon D800, D800E and D4 NEF still images will not open in Lightroom 4.0 and ACR 6.7 if they were shot in live video mode
- Rendering with local corrections in 6.5 and 6.6 could be slower compared to previous ACR 6 versions
- Saving over 200 images as compressed tiff can cause certain hardware to become unresponsive.
Thank You
Thanks to everyone who submitted bug reports, posted entries in the U2U forums and blogged their issues so that we could improve Camera Raw and DNG Convertor in this update.